Interviews of the outspoken and opiniated


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Photo by Sam Hernandez

Tu Ciudad magazine just named CASA 0101 “Best Performing Arts Venue” in their June/July Best of Latino L.A. edition. In my opinion CASA 0101 is one of the most prolific and soulful theaters in town. With “Chicano Rehab y Mas” and “El Verde,” two comedies on the bill this month, I talked to CASA 0101’s Artistic Director, Eddie Padilla, about their new season, giving a voice to Boyle Heights youth and… potato tacos!LA Taco: Did you grow up in Boyle Heights?

Eddie Padilla: I grew up in San Diego in a neighborhood called “Shell Town” and I don’t mean shells as ocean shells but bullet shells you find all over the place or the shells from the naval station. I moved to Boyle Heights in 2005. Boyle Heights instantly reminded me of Shell Town in terms of demographics, crime rate, police presence, and how gang activity was embedded in the community. Brothers, cousins, parents, close friends, and lovers are all related to gangs.

A friend from USC where I studied theater was doing set building and directing plays at CASA 0101. I got involved when they were producing Josefina Lopez’ Real Women Have Curves.” I expressed interest in directing a play and a few months later became Artistic Director.

Click here for full interview on www.lataco.com.

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Wanru Tseng, Charles Kim and Robert Covarrubias. Photo by Shane Sato

Wanru Tseng is one of the writers/performers of the hilarious comedy of sketches TELEMONGOL  performed last year at the GTC Burbank. I wanted to meet the creator behind the supremely confident and mischievous Dr. Pho and the actress with perfect comic timing who had me thinking I was watching Betty Boop impersonating Marilyn Monroe.

LA Taco: When did you start writing/performing?

Wanru Tseng: In 2001 I decided to sign up for an improv class and took to it right away. One of my teachers was Robert Covarrubias, a member of the multi cultural improv group Cold Tofu. In 2003 he asked me to join them. This year was the first year we were able to do a sketch collaboration with other comedy groups.

Click here for the full interview on www.lataco.com.

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Edward Landler & Brad Byer, makers of the documentary “I Build The Tower” about Simon Rodia and the Watts Towers of Watts, Los Angeles. Photo by Gail Brown.

TACO: It took Simon Rodia 33 years to build the Watts Towers. You’ve been working on “I Build the Tower” for at least fifteen years, what has taken you so long?

Edward Landler: Los Angeles still doesn’t know how to appreciate the Watts Towers. One problem with viewing the Watts Towers as a work of art is that the man who built them didn’t have a pedigree. I think it’s one of the greatest works of art of the 20th century but we live in a city and a culture dominated by an industry that is mainly concerned with the bottom line: how much money did you make? Sam Rodia, the man who built the Towers, didn’t come from a school or studio, he was just a guy. How’s it going to make money? Who’s going to buy them?

The problem with getting the proper respect from the city is the Towers are in the wrong part of town. People don’t want to go there. They’re afraid. But they’re afraid of a myth. There are plenty of other areas of town which are just as dangerous as Watts but Watts has the history and aura of violence and gangs. There are parts of the valley with higher incomes and similar problems.

Click here for the full interview on www.lataco.com.

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