And here it is, my last Alternet.org story on rethinking our funeral rites.

Uncredited photograph found on www.greenage.me.uk.

 

“Failure to plan for funerals will always cost our relatives, when we leave them with the overwhelming task of answering multiple-choice questions under a state of shock and grief. Preparing your final exit is a team effort and it’s a lot more satisfying than you think.

After reporting on the resuscitated art of caring for our dead at home, and questioning why embalming is a standard practice in the United States, I decided to end my three-part series on a high note: how to dispose of our dead bodies at a low cost. If trips to the cemetery haven’t been on your schedule in a long, long time, then why not consider this selection of non-traditional alternatives that will cut down on your overall funeral expenses. They will get you more than what you pay for, and you may not have to pay anything at all. Here are seven alternative methods to dispose of our bodies.”

Click here for full story.

POCKET SIZE LOVE

by Frankie Colmane


Walking a fine line

between your devotion

and the lack thereof

a frozen mirror

barely scratching at the surface.

From the scene of my mother’s crime

a tunnel vision

my umbilical rope around your neck.

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Guston’s Shrimp by Moris Tepper, 2008

darkangels

littlegirl

sombrero

sadgirl

tallboy

Situated in the century-old Lincoln Park, Plaza de la Raza is the only multidisciplinary cultural arts center serving Latinos in Los Angeles. The organization was founded over 33 years ago by prominent labor, business and community leaders and incorporated into a non-profit cultural arts and educational center in 1970. Today, Plaza provides year-round programs in arts education and fosters the enrichment of all cultures. Through the arts, Plaza provides a vital human resource service, bridging geographic, social, artistic and cultural boundaries of Los Angeles and beyond.

Plaza de la Raza’s principal community-based program and crowning achievement of its 33-year legacy is the School of Performing and Visual Arts (SPVA). Since its inception in 1975, the SPVA has grown to provide 500-600 students each week with a full curriculum in theatre, dance, music and visual arts. Plaza recognizes the ability art has as an alternative to the often harsh experiences that come with growing up and living in Los Angeles’ inner city and is committed to providing a space where every student can give life to self-expression, innovation, creativity and individuality. Plaza also presents an energetic list of programs including performances on the Willie Velasquez outdoor stage and the Margo Albert Theatre. In the Boathouse Gallery, the school has exhibitions of work produced by its students ages five to adult.

clown

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Marlene Dumas: Measuring Your Own Grave is the first mid-career survey of the work of Marlene Dumas (b. 1953, Cape Town, lives in Amsterdam) to be organized by an American institution. Dumas’s rigorous investigation of the human condition is manifested through portraiture, figuration, and her ongoing, painterly exploration of the body. The exhibition, which includes over 100 paintings and drawings, is organized according to specific subjects Dumas has examined throughout her 30-year career, including children, pregnant women, the dead, and the female nude.

Click here for more information.

The woman of Algiers

On a Sunday morning, my niece Dulce and I found a dead crow in the middle of the street near her apartment. Dulce wasn’t surprised, she knew the crow was sick. Dulce and her mother Andrea are acquainted with some of the critters foraging on their block.

Our first reaction was to get the raven off of the street. Dulce put some gloves on and the deceased in a cardboard box. “We can throw it in the trash,” I said. As soon as I uttered “trash,” I regretted it. Dulce objected: “No, let’s bury him in the back. We buried a bird there before.” It was almost 80 degrees that Sunday and the thought of digging dirt in the hot sun didn’t appeal to me at all. In the back of the apartment complex where they live, Dulce found a place for the bird to rest. She didn’t hesitate to grab a pan and excavate. I helped by opening the water faucet when Dulce needed to wet the dirt to dig deeper. When I saw Dulce sweating I offered to bring her water or take the next hauling shift but she declined. So I grabbed my camera.

I’ve thrown dead birds in the black bin at my house countless times. They’re my cat’s gifts. Sometimes I save the little ones from Bambi’s claws. I hold them in my hands for as long as it takes for their hearts to slow down. If they’re so wounded that they can’t fly anymore, it’s agony to me because no place will take them and I don’t have it in me to bash their heads or suffocate them to spare them from slowly starving or being found and finished by the cats. Once I held a dead hummingbird in my hand for the longest time because he looked like he was sleeping and he was so diminutive and beautiful.

I’m a vegetarian. I don’t want any animal slaughtered, tortured or confined in my name. But, unlike Dulce, I was unwilling to take the time and effort to bury the crow. The soul was gone so why treat it with reverence? Once a friend died next to me of a heart attack on a dirt road and, while going through the motion of CPR, it was clear to me life was gone from her body.

Is the body comparable to the value we attached to cardboard when the soul passes away? I must say Dulce laboring in the sun so diligently made me feel different. And the picture of this crow resting in peace by the bed of flowers changed my mind. His shiny black eye strangely resembled the eye of the mouse whose neck was broken by Bambi recently.

Is there life after death after all? Definitely in our hearts when they beat for these little creatures lives and passings and maybe somewhere I’ve never visited.

Dulce and I said a prayer and put a stone on the crow’s grave. “Amen,” said Dulce. “Namaste,” I replied.

eagleray.jpg 

Photo found on www.cruiseingalapagos.com.

 “Thursday, a large spotted eagle ray jumped into a moving boat off the Florida Keys and killed a woman on deck. Alex Chadwick talks to fish ecologist Tracey Sutton about the bizarre attack.”

Now that’s what you would call an unpredictable death.

Click here for full story from NPR‘s Day to Day.

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